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The island scout

Nadine Botha

To Michel Houellbecq

You’ve got to be brave to look through the glass,
not the looking glass,
but to another, without seeing yourself.

Detached, absurd, beyond comprehension,
the meaning of existential is more apparent than anyone admits.

I’m here and the focus is nuptial:
the wedding of eyes lock
the gate to the cemetery below
crows and clouds sheathing the sun
make way for evaporation and more
rain down devastated graves with marble
precipices and grounded orifices
cave towards our significance
will be survived by meaninglessness.

Even if we find our way,
it is mortal.

I’ve never wanted to be immortal
living the drag of a cigarette without repercussions
in still frames,
thirty times over,
and living a loft life in spaces cleared
for new functions with an open bar.

The nonsense is eternal,
you don’t outgrow it.

Unless you admit your mortality,
don’t fear that your insignificance is larger
than your cunt after stillborn triplets,
you’ll be fucking a cave:
only feeling the drilling vibration of a rabbit’s head.

Multiplication is not assumed by fingers
shown at a baby.

There are mathematics that are intuitive,
but not that.

Mostly, it’s just sequential addition:
consciousness is crystallisation.

Quartz is more valuable.
It lasts, it can buy you things.

But when consciousness is not valuable,
but all you have,
you cling to it nonetheless hoping
the world is wrong:
temper it with conscience,
spice it with conceit,
kill it with con-plicity
and crawl into it with conviction.

A con.
The spy on the human condition.

The traitor to the secret –
there are less of those than you think,
less in those that you suspect,
contradiction and dissent among those confirmed.

It is only your own,
of which there is no significance that bares a relation:

an emotional exchange that leaves your heart
wrenched, monkey on a corner with pennies –
not even your own currency –
parallel to the next corner,
only pi away from it –
a block that is a circle: centre, radius, obsolete.

Dreams too must travel the perimeter
crawling at a pace of mesmerisation.

Insomnia is only dreams
too short to comatose:

we do that daily,
why sleep?

To prevent the accident of bust metal,
crushed glass and crunching blood,
pour the condition over yourself
and truly bask in It.

Then: “It” is the superficial –
why The Beats were beaten
by their trackless dissociation.
It is not the supernatural when one is mortal.

Affectations to the immortal got me,
and others that read more, into this.

That’s how artists steal dreams.
How writers live longer than their heartbeat,
lovers become heroes,
wars identical,
politics a way of life.
How the promise continues to remain only performative.

And with this drug I take to deal with it,
I have to remember that writing is procedural,
belief incidental and sex
still
a yearning for intimacy.

Love, only maybe.





LitNet: 06 June 2006

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