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Matthew Simpson
is a frustrated teacher and freelance journalist. He tends to write when there’s nothing to watch on television and will probably never get round to completing that science fiction novel he has been dreaming about since he was eleven. He lives in Observatory and hopes to escape South Africa for England’s green shores for a short while so that he can save enough money to buy a house in Cape Town, which shouldn’t take too long.
 
Another short story by Matthew Simpson:
  • She

    The walk

    Freaking Friday night! I think
         Sitting awhile. Tired of the emptiness of my television. A cold reminder that I’m alone tonight.
         I decide to take a walk to get some fresh air, a little exercise. Besides, my cigarettes have run out.

    The evening is colder than I thought it would be. But the air is fresh and invigorating. I untie the jersey from around my waist and pull it over my head.
         It’s late. Not many cars around, a taxi weaving past. Only the prostitutes are still awake; fur jackets pulled tightly around their mini skirts.

    I arrive at the nearby petrol station, which is still open. Step up to the counter. Behind it there is a plump young woman dressed in an attendant’s overalls.
         “Evening,” I say, giving her a weak smile.
         “Hello.”
         “ A box’ve Camels, please. Plain. And ... aaaa ... Bar One.”
         I rifle through my pockets while she looks around for what I asked. I find some change and pull it out.
         “Nine rand fifty,” she says. I count out the money from what I have and drop it in the metal trough that protects her from me. She gets the change from the till and drops it in with the chocolate and the cigarettes.
         I take them.
         She takes the money.
         “Cheers,” I say
         She smiles. Warmly.

    I walk back across the empty forecourt and onto the sidewalk. Unwrap the chocolate and take a bite. Look around. Again I feel the loneliness and the emptiness of the evening but this time there is some comfort in the quiet and solitude. I decide to walk on a bit further, enjoying the freshness. Maybe think a little.

    As I turn I glance at the petrol station. A green BMW with darkened windows has pulled in. One of the petrol attendants is filling the tank and gives me a friendly nod. I return the gesture. I notice that one of the passengers, a large man wearing a flannel overcoat, has walked up to the cashier’s counter. He asks for something. She turns and takes a chocolate from the shelf, then drops it in the trough. I see him drop some money in; her hand go down. The man grabs her hand. Holds a gun at the window.

    The attendant filling the car is facing the wrong way. The other is asleep. I start to walk away more briskly, desperately trying not to run, to be noticed. But I can’t take my eyes off her.

    She doesn’t scream. She knows the best thing to do is keep her mouth shut, to do what he asks. Her face is contorted by terror. She is sobbing.
         Quietly.

    The gun is aimed at her chest.

    I turn my head and continue until I am passed the exit. Safely out of sight I stop and take some deep breaths but I still don’t turn around. I light a cigarette, puffing frantically to calm my shattered nerves. I hear the door slam and the tires screech. The car skids onto to the road and disappears.

    Quiet. Again.

    I return to the garage. As I approach I realise the place is in chaos. The woman is wailing and shrieking; the attendant who had been filling the car is ranting, punching the walls in frustration. The other is phoning the police. Gradually I merge with the madness, with the incomprehensible noise. The swearing and spitting and ranting. And, my GOD, her SHRIEKING!
         
         I walk up to the counter. The man behind is assessing the damage, the cost of his sleeping. (Of my fear.)
         “I saw it,” I say. The man looks up from the till. “Jammer,” he stammers, “ek verstaan jou nie.”
         I turn my head and look at the woman. She is staring at me. And then I remember she had seen me, noticed my cowardice. When the gun was pointed at her chest. For a moment she is quiet.
         She calls to the other attendant, who is now sitting quietly on the tarmac, his face clay red in rage, grinding his teeth. Her eyes never leave me. The attendant rises and walks over to where she is sitting. She speaks to him in Xhosa, pointing at me. The attendant’s face darkens.

    A chill sweeps through me.

    He walks over. “You can go, please.” he says. The muscles in his cheeks and his neck are taught. His eyes are clouded. Dark. I want to say something, offer an explanation or apology but the words just seem to hang in my throat where they belong — useless.

    I turn away and head home as the sirens sweep past me. Eating my chocolate.

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